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supported by 16 fans who also own “Room of Angel [Altars of Grief {cover}]”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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supported by 14 fans who also own “Room of Angel [Altars of Grief {cover}]”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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supported by 14 fans who also own “Room of Angel [Altars of Grief {cover}]”
Beautiful isn't an adjective normally usable for black metal, but here we are. I swear I didn't cry at The Beauty of the Withering Flower...... Seriously though, this is amazingly atmospheric, awesome, and sad throughout this journey of an album.
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featured on Bandcamp Radio Feb 16, 2024
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Immortal and Vile (Death Metal)
by PRIMITIV (Mumbai, India)
featured on Bandcamp Radio May 28, 2021
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Cinereous Incarnate
by Abstracter
A foreboding black-doom metal dirge, meditating on a dark world caked in ash, resulting from all the Earth’s nuclear arsenal detonating at once.
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Life has gone on long enough
by NONE
supported by 13 fans who also own “Room of Angel [Altars of Grief {cover}]”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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